Intentional intentional writing time. A life lesson learned.

October 4, 2012 § Leave a comment

The subject of “buzzwords” has come up often lately, for some reason, and my wife has informed me that “intentional” is definitely one of mine, and here I am using it twice in a single title. New personal best.

Intentional writing time is something writers talk about (or at least blog about) a lot. They say that if you want to be a writer (at least in a professional or semi-professional capacity) then it’s important to set aside time specifically to write. It’s not time to check facebook or respond to emails or to organize your messy desk (times when I’m suffering from a case of writer’s block are the only times cleaning sounds appealing), it’s time to sit in your chair and scribble or type, even if it feels like the worst thing you’ve ever written. « Read the rest of this entry »

Rewards, deadlines, and motivation

March 21, 2012 § 5 Comments

Or: My love-hate relationship with deadlines

Yesterday I told my wife that I need to start writing more short stories. She promptly responded that I should give her one each week and in return I would get, da-da-da-da, “the red plate”. Now the motivational aspect of the red plate is a curious thing. I can’t say why I am so covetous of it, but it holds some mystical allure for me. Growing up, whenever any of us kids did something worthy of praise like getting good grades or making a sports team we would get “the red plate.” It was a big deal. I don’t know why, it just was. So when I got married, my wife and I were given a red plate of our own, with which she can motivate me cheaply.

Really though, the red plate was just icing on the cake. One short story a week? That sounds nigh impossible. Challenge accepted. « Read the rest of this entry »

Tension, Prologues, and Dramatic Irony

February 2, 2012 § 5 Comments

Or: How David Eddings ruined a perfectly good book by including a prologue

First off, I apologize for the few new posts as of late. I’ve talked about the Three Stooges Syndrome here before, and I happen to be struggling with a bad case of it. I’m trying to crank out another short story or two to get in the submissions merry-go-round, finish the young adult steampunk novel that I’ve been working on for the last year (draft six, here I come), and a few new projects have come down the pipeline at work and are taking more creative energy than usual (which is a welcome challenge). Too many ideas have been trying to get out of my brain all at once, and hence none of them were making it through the door.

I had to cut back on something and, compared to work and writing, blogging isn’t my top priority. What that means is  for the next few weeks (or until things begin to lighten up) I’m going to blog only when I’ve got something demanding to be shared with you folks.

Which segues nicely into what brings me to my keyboard tonight…

I’ve had Pawn of Prophecy by David Eddings, a young adult fantasy book « Read the rest of this entry »

Targeting a specific audience for your book trailer

January 20, 2012 § 2 Comments

Or: Book trailers from a video pro’s perspective: The sequel

Last week we talked about book trailers in general and A) book trailers can be a powerful way to market your book, but B) there are a ton of mediocre book trailers out there, and C) if you want to only spend $100 on a book trailer, you should spend your money on other kinds of marketing instead because there is a quality threshold with video, below which I would be surprised if you recouped the cost of the video from added sales (even if it’s only $100). This post started out as a discussion of all the challenges book trailers face, but as it turns out, they are legion and I wanted to take more time addressing them than I could in a single post, so here’s a start talking about the most fundamental problem most book trailers have.

Before starting any book trailer (or any marketing at all), it’s important (if you want your money’s worth) to ask two simple questions: « Read the rest of this entry »

The selective pigheadedness of fantasy fans

January 16, 2012 § 5 Comments

Or: The tension between fantasy and familiar

(Note: for anyone hoping for the second post on book trailers: It’s coming, but I haven’t had the time to put it together properly yet, so be patient)

Recently I found myself in a bookish conversation when my fellow reader took issue with the use of the word “id” in a fantasy story (though I can’t remember which story for the life of me). The argument was that id is part of a theory of the psyche that was developed by Freud, and since Freud had never lived in this fantasy world, the characters wouldn’t have any idea what id was.

I’ve raised similar issues before regarding technology or terms that don’t belong in a given fantasy world, my favorite being « Read the rest of this entry »

Book trailers from a video professional’s perspective

January 13, 2012 § 8 Comments

I’ve been meaning to talk about book trailers for a while, but it was an overwhelming subject to tackle. Then, during the Tuesday night episode of Jersey Shore (I didn’t watch. I just heard. Don’t hate me) there was a book trailer for The Clockwork Prince by Cassandra Clare, which precipitated this post. (Note: for anyone not up to speed on book advertising, book trailers are basically a video hook to try and entice readers to buy your book, much like a movie trailer.)

I have something of a unique perspective on book trailers because, in addition to spending my free time writing and reading, I work full time as video producer and editor « Read the rest of this entry »

Five lessons I learned from what I read in 2011

January 10, 2012 § 4 Comments

I read oodles (the technical term for it) when I was in elementary and middle school, a lot in high school, and not terribly much in college (aside from what I was reading for classes, which took the majority of my reading energy). Fortunately I’m rectifying that error, by reading more than ever these days. The ‘real’ world, with mortgages and bills and full-time jobs isn’t all glamor and glitz, but it’s one major redeeming quality is a total lack of homework. I’ve taken advantage of the extra time in my life (and the fact that my wife who is in grad school still does have homework in the evenings) by reading more this year than in the previous eight years combined.

Since I began writing seriously, the way I read books has changed significantly, for better or worse. I’m more discerning of everything from adverb overuse and cliches to strong and original characters. Most of the books I read « Read the rest of this entry »

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